Program 2018

Tango for Musicians at Reed College features a rigorous curriculum designed to maximize student learning within and across our many featured activities.

In 2018, two tracks will be presented, focusing on specific aspects of tango music:

  • Musicians Track
  • Arrangers Track

Participants will be able to choose the track of their interest at the time of registration. Each track will feature specific masterclasses every day (see below for more details).

Participants in any track will have free access to all public events, including the concerts and milongas.


MUSICIANS TRACK

The Musicians Track curriculum includes:

  • Instrumental technique classes
  • Student ensembles
  • Specialized masterclasses

Previous experience with tango is not necessary or expected, though technical proficiency on the instrument and the ability to read music are required for this track.

INSTRUMENTAL TECHNIQUE CLASSES
Instrumental technique classes will be organized into two groups (A and B) based on technical proficiency and previous experience with tango. Students in group A will focus on developing practical approaches to tango using hands-on materials designed specifically for their instrument. Students in group B will additionally be able to work on material from their own repertoire in masterclass settings. Changes in group assignments will be subject to the discretion of the leveling team and the artistic faculty.

All the pedagogical materials will be sent to registered participants in advance, providing the chance to thoroughly prepare before arriving on campus in June.

Themes to be covered in instrumental technique classes and elsewhere in our program include:

  • Playing and creating rhythmic and expressive tango melodies
  • Construction and use of different tango time marking models, including marcato in 4, marcato in 2, “síncopa a tierra”, “síncopa anticipada”, “yumba”, and many others
  • Typical resources for playing tango “a la parrilla” (with improvised arrangements)
  • Ornamentation
  • Extended techniques and tango’s famous percussive effects

MASTERCLASSES

Morning and afternoon masterclasses will be offered by the artistic faculty on a wide variety of topics. Students will be able to choose freely among these masterclasses on a day-to-day basis, though they are tiered toward beginning, intermediate, and advanced audiences. These masterclasses will allow students at all levels of experience to get the most out of our program. These 90-minute masterclasses will feature workshops focused on:

  • Lyrics and Vocal Interpretation
  • Tango Styles
  • Tango Improvisation
  • Transcription and Analysis
  • Tango Fundamentals
  • Tango Pedagogy
  • The History of Tango

ENSEMBLE CLASSES

Student ensembles will be organized into ‘Orquestas Típicas’ (tango big bands) or in smaller ensembles with mixed instrumentation (up to six people). Ensembles will rehearse for two hours each day with different members of our artistic faculty in rotation. This will give students in each ensemble the widest possible perspective on their repertoire and the challenges it poses for effective performance.

Ensembles will work with pre-arranged parts, and smaller ensembles will also have the chance to develop their own arrangements in the “a la parrilla” style.

As with our instrumental techniques classes, ensembles will be grouped by our evaluation team according to the participants’ different levels of experience and the order of registration. Changes to the ensemble assignments will be subject to the discretion of the leveling team and the artistic faculty.

For the 2018 edition of TFM at RC, only pre-formed ensembles or groups which have at least four members will be accepted (See PRE-FORMED ENSEMBLES below).

PRE-FORMED ENSEMBLES

For the 2018 edition of TFM at RC, only pre-formed ensembles or groups which meet the following conditions will be accepted:

  • The group must have at least four (4) members
  • All members of the group must register at least 60 days before the start of the event
  • The ensemble must provide and send in advance its own arrangements or compositions to work on in ensemble classes
  • If the group can’t attend with its full line-up, the group itself must arrange their repertoire so that it’s ready to work on in the class with the faculty

Members of the group will not receive any additional discounts for being part of an ensemble. Each member should indicate the group’s name in the comments field of the registration form at the time of registration.


ARRANGERS TRACK

The Arrangers Track is aimed at intermediate and advanced arrangers who would like to experiment within the tango genre, focusing on traditional tango and danceable tango arrangements. Basic knowledge of the use of marking models, melodic treatment, and counterpoint orchestration are necessary. This track is recommended for those who have previously attended Tango for Musicians more than once. Ramiro Gallo and Exequiel Mantega will be the artistic faculty for this program.

The Arrangers Track will provide its participants the chance to work on their own arrangements with a resident ensemble made up of experienced northeamerican tango musicians from the U.S. The artistic faculty will propose different assignments to be written during the week.

Participants of the Arrangers Track will have access to specific daily masterclasses focused on the most important tools for arranging tango music. The week-long curriculum will culminate in a concert program featuring works by the participating arrangers and composers.

Those who attend the Arrangers Track will have access to the full program of activities and concerts that are part of the larger Tango for Musicians at Reed College event.

ARRANGERS TRACK REGISTRATION

Arrangers will also be asked to submit a link to a PDF file of the full score of an arrangement of their own with their registration form.

CLASS SCHEDULE

  • Each participant in the Arrangers Track will receive two one-on-one, 40-minute coaching sessions (one with each faculty member) in which you’ll be able to discuss personal arranging, orchestration, and composition projects. The schedule for these sessions will be set a few weeks before the beginning of the program and will be sent by email to all participants. One of these classes will be scheduled in the morning and the other in the afternoon.
  • Arrangers will be able to attend the instrumental technique lessons offered during the morning when they don’t have a private coaching session scheduled. They will also have the chance to spend that time working on their assignments and writing new music. Arrangers will have priority access to private classrooms with pianos.
  • During the usual morning masterclasses time slot, Arrangers will have a special group class with one of the faculty members in which arranging assignments will be given. These assignments will relate to arranging techniques for tango.
  • During the ensemble time slot, Arrangers and one of the faculty members will work with the Redwood Tango Ensemble (which will be the resident ensemble for the program) on performing the assignments given earlier each day, providing an ideal environment in which to listen to the different devices applied for tango arranging played by experienced musicians.
  • During the afternoon masterclasses time slot, Arrangers who are not in a private coaching session will be able to attend to the regular masterclasses of Tango for Musicians on tango styles, history, and other relevant topics. As in the morning, Arrangers who prefer to spend this time working on their assignments will have priority access to rooms with a piano.

IMPORTANT

Participants of the Arrangers Track will not be assigned to a regular ensemble, since during that time slot you will be in your own class with the resident ensemble.

The performance of pre-written arrangements or compositions which are not assignments given during the week by the artistic faculty will be up to faculty’s discretion. This year we will also feature jam sessions at the end of the day, and we’ll encourage proficient participating musicians of the program to try to play these compositions and arrangements informally outside the framework of the class.


AUDITORS TRACK

Tango for Musicians at Reed College 2018 will feature an auditors track designed for musicians who want to learn more about tango but don’t (or don’t want to) play an instrument or to non-musicians or tango dancers who would like to learn more about the genre.

The auditors track includes access to:

  • Tango History Masterclasses
  • “Orquesta Típica” Rehearsals
  • The Fundamentals of Tango Masterclasses
  • Tango Styles Masterclasses

Auditors registering for the five days of our core educational program will also receive free tickets to the opening and closing concerts featuring the artistic faculty (full line up to be announced).